Music journalism has always been a contentious form of art. I think it was Frank Zappa who said, "Most rock journalism is people who can't write, interviewingpeople who can't talk, for people who can't read." And judging by the deluge of music PR disguised as journalism and inarticulate musicians, the late ní¢â‚¬â„¢great Zappa might have a point. As for Zappaí¢â‚¬â„¢s last comment, we, at Capital have more faith in our readership. The Capital music section looks to covernot only important artists, events, movements, and culture of contemporary music but also the underrated, acts that fall through the cracks, and those on the verge of greatness and failure. We do this for the love of music. But even love has limits, so we need the help of others to make it work. Whether ití¢â‚¬â„¢s an album, concert review, editorial, or in-depth interview, Capital wants to hear your voice on what music means to you. So hit me with your story ideas, write me a review, or simply send along your thoughts on what you think of the section. Capital isn't only about spreading information, ití¢â‚¬â„¢s about making links, and what better way to do so than through music.

Robert (Robot) Willis

Music Editor í¢â‚¬“ Capital Media

<music@capitalmag.com>

Image: Michael Tunney

In this Issue:

East Bay krunk, or ganger rap's ADD cousin, the hip-hop hype machine brings you hyphy.

Reviews í¢â‚¬“ the Whitest Boy Alive and more