í‚  í‚   For aspiring filmmakers, one of the hardest things can be getting a pitch heard by the industry folks necessary to bring the idea from concept to the big screen. Pamela Schott was one such filmmaker. Having worked as a screenwriter for about 9 years without success, Schottí‚   moved to LA and gradually began toí‚   get some of her material optioned. But frustrated with her slow progress, Schott realized that there may be a way to get her ideas across in a more exciting, visual way, setting her apart from countless competitors. She began to cut short í¢â‚¬Å“visual pitchesí¢â‚¬  of her work so producers and industry experts could get a sense of not only the story, but also her visual style.